Richard Stanbrook was born in Newbury, Berkshire on 10th January 1954. Upon leaving school in 1971, he enlisted in the Army and served with the Royal Corps of Transport Staff-Band. In October 1977, Stanbrook transferred to the Royal Military Academy Band Corps, Sandhurst and was its music arranger until expiry of contract in July 1981. Stylistically, Stanbrook does not belong to any school of “ism” and eschews modernity for its own sake. The language, although tonal, has an uncompromising directness which some listeners have found disturbing.
Bridget Marsden & Leif Ottosson are two rising young stars of the Swedish folk scene. Following the release of their critically acclaimed debut album Mountain Meeting in 2015 the duo have become known for innovative interpretations of Nordic folk music. They invite the listener into a musical world where original compositions are mixed with traditional material, moving adeptly between atmospheric improvisation, tight melody playing and filmic soundscapes. Meet the violin and the accordion in a way that will surprise even the most dedicated folk music listener.
Barber Eassay for Orchestra No. 2
Mendelssohn Symphony No. 4 in A Major, “Italian”
North meets South: and on a January afternoon in Glasgow, who couldn’t do with a bit of sunshine? Mendelssohn’s Italian Symphony begins with a little explosion of sunlight and joy – music that sings, dances and simply lies back and soaks up the rays. Conductor Patrycja Pieczara flies us south this lunchtime. It’ll make a colourful contrast to Samuel Barber’s moody mini-masterpiece and adopted Glaswegian Oliver Searle’s entertaining musical stroll down our very own Sauchiehall Street!
Robert Saxton – Invocation, Dance and Meditation
Arvo Pärt – Spiegel im Spiegel
Edwin Roxburgh – Monologue
Rory Boyle – Reeling
Huw Watkins – Fantasy
Howard Blake – Prelude from Benedictus
Takemitsu – A Bird came down the Walk
Thomas Adès – Darkness Visible
Robert Hugill – Three pieces from the Book
of Common Prayer
Paul Patterson – Elegiac Blues
Recognised for her qualities as a soloist and chamber musician, Rosalind Ventris is emerging as one of the most sought-after young violists internationally, receiving five prizes at the 2013 Lionel Tertis International Viola Competition. James Willshire also performs internationally as soloist and chamber musician, and appears regularly at the major UK concert halls.
Fraser Langton clarinet | Rosalind Ventris viola | James Willshire piano
Francaix Trio for clarinet, viola and piano | Mozart Keglestatt Trio | Rory Boyle Di tre re ed io
Trio Dramatis are an exciting and committed ensemble who have commissioned the Rory Boyle work being played today. It’s worth forming an ensemble just to be able to play Mozart’s wonderful Kegelstatt Trio, and composers such as Schumann and Bruch also wrote for the medium. The repertoire has vastly expanded in the 20th century, and the Boyle piece (the title means ‘Three Ds and me’, which might give you a clue as to the theme!) is varied and exciting, with very rapid interactions between the instruments while remaining emotionally powerful and not difficult to follow. The trio have recorded this piece on a Rory Boyle disc, and it’s definitely worth checking out. Francaix provides his usual mix of lively French frivolity with mildly twisted harmonies to set the recital off to a fizzing start.
With supporting songs from Cardiff Canton Singers led by
This is a charity night in aid of Care & Repair Cymru – Improving homes, Changing lives.
Tickets are £7 (£5 for concessions), and can be purchased on the door
BBC Singers, conducted by Michael Bawtree
Programme to feature Tales from the Marsh by Rory Boyle
Glasgow University Chapel Choir, Massed Choir, organist TBC
Programme to include Rory Boyle – 3 Faces in The Crowd (Piano Trio No. 3)
The Rembrandt Trio