Joe Stollery is a composer originally from central Aberdeenshire. He graduated with a MMus in Composition at the University of Aberdeen (2016) and is currently working through his PhD at the same institution.

He has written for a wide variety of ensembles, mostly instrumental, but also including art songs and a handful of chamber operas. His musical interests and appreciations cover a wide range (including non-classical), and as such his compositional aesthetic stands somewhere between common-practice and the avant-garde. He is also keen on putting dramatic statements into his music and is inclined towards a theatrical element in many of his instrumental works.

He was twice a finalist in the Carlaw-Ogston Composition Award (2015 & 2016), has participated as an observer at the Cheltenham Festival (2016), and has been commissioned by the Aberdeenshire Youth Orchestra, the Geneva-based wind band Harmonie Nautique, the Aberdeenshire Saxophone Orchestra, Cappella Nova, Any Enemy and Hebrides Ensemble, amongst others. He was also commissioned by the sound festival and the Silver Cities Stories project for his opera Mither Kirk (2017) and has collaborated with Scottish Opera to produce Nature’s House (2014), as part of a Leverhulme scholarship. His first opera The Maiden Stone (2014), based on an Aberdeenshire legend, was given its premiere outdoors at the foot of the hill Bennachie, where the story was set. He also composed a set of three children’s operas that were performed in primary schools around Aberdeen in February 2019.

As well as composing, Joe also plays alto saxophone in the Concert Band and Saxophone Ensemble at Aberdeen University, and is a confident pianist.

His personal interests lie in a wide variety of sources, many of which stream into his music. These include the local environment and its history, nature (particularly animals), myths and legends, especially mythical creatures, and the supernatural. He is particularly interested in fantastical concepts and would often speculate on these things in his music, usually by finding and making connections with real-world affairs.