Pete Stollery
“Stollery seems to be a thoughtful and gentle composer, one who wouldn’t want to impose anything on the landscape, but rather cares to ask interesting questions about our relationship to our sonic environment.”
ED PINSENT, THE SOUND PROJECTOR, 2012
Pete Stollery studied composition with Jonty Harrison at the University of Birmingham and was one of the first members of BEAST in the early 1980s. Following a number of years as a school teacher in Kent, he moved to Aberdeen to work in teacher education at the former Northern College which later merged with the University of Aberdeen. From 2000, he was part of the team which re-introduced music programmes at the University of Aberdeen, including the introduction of doctoral programmes in Composition and the development of the electroacoustic music studios. He was Head of the Department of Music for many years and he now works there part-time as Professor of Composition and Electroacoustic Music.
His music is published by the Canadian label empreintes DIGITALes with further information at Électroprésence and tracks available for streaming at Electrothèque.
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In 1996, along with Alistair MacDonald, Robert Dow and Simon Atkinson, he established the group invisiblEARts whose aim is to perform acousmatic music throughout Scotland and to promote Scottish acousmatic music to a wider audience, both within Scotland and abroad.
In 2004 he was part of the setting up of sound, a new music incubator in NE Scotland which runs an annual festival of new music featuring composers and performers from around Europe, as well as year long activity including opportunities for composers and performers of all stages.
Pete Stollery composes music for concert hall performance, particularly acousmatic music and more recently has created work for outside the concert hall, including sound installations and internet projects. His main interest is in how humans respond to sounds in their immediate surroundings, in particular sounds that are not necessarily intended for listening purposes, as well as how an engagement with sound relates to the idea of place.
His creative work exists as electroacoustic compositions, sound installations, web-based sound art, as well as instrumental/vocal compositions.
