Musica Scotica Vol VIII: Robert Johnson - Instrumental Consorts [download]
24pp. Available as downloadable pdf with licence to print multiple copies for rehearsal and performance.
24pp. Available as downloadable pdf with licence to print multiple copies for rehearsal and performance.
24pp. Available as downloadable pdf with licence to print multiple copies for rehearsal and performance.
Edited by Elaine Moohan and Kenneth Elliott.
Instrumental consorts by Johnson include two strongly dissonant settings of O lux beata, and Trinitas (both in three parts), which seem to be early works. The five-part In Nomine is more finely wrought and A knell, based on an ostinato and containing much effective instrumental writing, especially in those passages employing short repeated figures in close imitation, that point towards later sixteenth-century developments, e.g. in the consort music of William Byrd, appear to be mature middle- or even late-period works. Gaude Maria virgo is a five-part instrumental version of Johnson’s four-voice vocal setting of this Responsory (The Complete Works of Robert Johnson, No. 6)
From Musica Scotica Vol VIII: The Complete Works of Robert Johnson, full volume available here.